We have now begun to transition into the planning stages into actually shooting the portions of our music video, which is very exciting. At this moment we are almost complete with the list of shots we are going to use in the project and we have already shot one significant part of the video.
The initial scene shot was the last chorus of the song I will call you when I have made it. We had initially planned to wait when more of the video was well organized but we chose to shoot it earlier since it was during sunset at the beach. The time change had occurred this weekend, which meant that the sunset would begin to occur much later, and we wanted to have that kind of lighting that would fit our schedule. We have not been able to establish a definite schedule with spring break in our near future. However, we are going to shoot when we have an opportunity.DG Media Studies
Saturday, March 7, 2026
Scheduling Shooting
Friday, March 6, 2026
Group Meeting 1
In our recent group meeting, each of us provided updates regarding our final film projects and got feedback on the same by the class. It was also useful to listen to the various ideas being formulated by people and the issues that they are grappling with.
Aneesa is collaborating with Zach, Nico, and Quinn on a dark meta-comedy. Their idea is centered on the breaking of the fourth wall in which the camera itself is a part of the narrative. The topic in the film will always attempt to draw the attention of the camera and this encounter becomes more pronounced as the story unfolds. The group has just altered their concept thus they are still in the heavy planning phase. Clarity and simplicity of the idea are one of their primary considerations. They intend to do their script over the weekend so that they can develop the plot to the fullest extent and how the camera will act as a character of its own. Other ideas proposed by the group were the possibility of shooting in a studio and setting the plot as a casting session where the protagonist is playing with the camera.
Mariana is collaborating with Audrey in a short drama based on grief. The novel is about a boy who is deprived of his sister and cannot cope with the fact. The movie will probably be told by the boy in his initial therapy session that will lead the viewer through flashbacks of the happenings that resulted in the tragedy. The group deliberated on various ways in which the sister can die and it was agreed that it should be an accident rather than a prolonged sickness to ensure the story concentrates more on the emotional aspect of the situation. The other recommendation was that the sister must be younger than the main character so as to enhance the sense of guilt and responsibility he feels.=
Fabiana is developing a psychological thriller whereby a rich man appears to have a flawless life but has been involved in a fatal accident several years ago. He later on gets a mysterious package that makes him face the past and slowly lose his sanity. Fabiana raised the issue of shooting some of the scenes, particularly those that involved a police station. The group recommended that the filming should take place outside the building rather than inside so that production becomes easier. The casting was also discussed and it was advised that the protagonist should be changed to a teenager to get an actor easily. The other interesting concept proposed was the presence of several personalities in the lead character such that one personality will commit a crime and the other will be unaware of it.
Adriana is collaborating with David to produce a comedy short movie concerning a character that has the ability to teleport through a penny. Whenever he attempts to do something good, things always go astray. In the film, David will perform and Adriana will concentrate on shooting and directing. She was a little worried about the editing aspect of the film as the teleportation effect will need very specific cuts in order to make the transition realistic. Another problem has been scheduling since David is busy doing his theater and spring break is on the verge.
Vicky is collaborating with Kenna and Renn on a coming-of-age narrative that is about personal development. The main idea they put across is that human beings keep on growing despite fear and stressful situations. The plot of the story is based on a girl who gets a plant as a gift given by one of her friends and cares about it, yet as life becomes more demanding the plant starts to wither. Her emotional state is a metaphor of the plant. However, the eventual growth of the story culminates in a friendship breakup, yet the plant grows on, an element of personal growth against all odds. The team proposed the use of variable size of the plants or artificial plants to demonstrate growth more conveniently than attempting to grow a real plant with time. The other recommendation was to make a voiceover at the end which clarifies the metaphor.
Emi is collaborating with Joaquin and Andrew on dark comedy film concerning a character who enters into a deal with the devil so that he can acquire power. As the story progresses, the character engages in activities to attain such power but loses his humanity. They are already done with their script, yet they worry about locating the right shooting places. The crew proposed to make the film less complicated and have just one death rather than a few and to shoot in the Markham Park. The other recommendation was that they should come up with their symbol rather than pentagram to make the film seem original.
Towards the end of the meeting, I presented my own project. I am producing a narrative music video, which is based on the style of such artists as Taylor Swift and Olivia Rodrigo. The song that I am working with is I’ll Call You When I have Made It by Annie DiRusso. The video is based on the storyline of a breakup in which the relationship is happy, but it becomes more toxic as the song unfolds. Among the challenges that we discussed is that the chorus is repeated a number of times, and I would like each of the choruses to demonstrate something different rather than the same visual images. I also discussed the discussion of shooting a scene at the beach, where the conclusion would be the main character running and having the relationship off her back. According to the group, the beach scene was supposed to lead to that emotional release of freedom. Another suggestion they gave was to take pictures on the beach as part of the vinyl package part of the project. On the whole, the feedback enabled me to consider more how the final scenes are going to visually portray the character as a moving on.
Here is us in our group!
Wednesday, March 4, 2026
Social Media Research
Media text: Olivia Rodrigo
Social media tool: Instagram
Description of types of posts:
- The posts in the form of personal Instagram (a blurry photo, a mirror, snacks, friends).
- So much purple--purple cakes and purple clothes and purple lights.
- The short videos of her playing a new song on a piano in a bedroom.
- Out of date handwritten notes or typed out lyrics on a typewriter.
- High intensity tour shots in which she appears to be a rockstar.
- Tapes of her screaming or pretending to be overdramatic in line with her music.
Description of how branding is developed (or not): Her brand appears as teenage angst and 90s grunge. Everything was purple in the case of the GUTS album.She has a habit of mentioning something purple even in a random photo of what she is eating. It combines the atmosphere of a serious rockstar and a girl who is simply living in her dorm. It is unified yet unintentional.
Analysis of how you will use this to develop your own social media presence: I prefer the untidy yet well organized appearance. It makes her seem friendly. I would also like to experience the Photo Dump concept to give people the ordinary aspect of making music. I also noticed that she highlights one color to indicate a time frame, which makes the feed to be ordered but not too formal.
Media text: Ariana Grande
Social media tool: Instagram
Description of types of posts:
- Light pink, gray, and cream are soft and dreamy colours.
- Closer shots of her face with obvious make-up and hair styling.
- Backstage shots of her at the recording booth with an old-fashioned filter.
- Brief ads of her beauty brand (r.e.m. beauty) which incorporate her songs.
- Short video loops, which are nearly silent and adding mystery.
Description of how branding is developed (or not): Her branding is extremely high standards. In the case of Eternal Sunshine, the colors were always pink and cream. Her page resembles an art gallery unlike Olivia. It all fits perfectly and you can notice that each of the posts was designed several weeks earlier to fit in with her music videos.
Analysis of how you will use this to develop your own social media presence: I was able to observe that social media can be art. I would like to apply a single filter or color adjustment to all my promo videos that when a person scrolls Reels, he or she believes that they are a part of the same story. It involves an additional amount of work, but it makes the artist appear very professional.
Media text: Tate McRae
Social media tool: Instagram
Description of types of posts:
- Many “Sporty‑Glam” pictures. She puts on hockey jerseys, full make-up and high heeled shoes.
- She uploads videos of hard-core dancing training to tour.
- The tour schedule is put on a scoreboard or other sports design.
- The music videos have be-hind the scenes views of ice rinks and lockers.
- There are reels in which she is singing with the backup dancers.
- She collaborates with such brands as Adidas or SKIMS.
- She shares photos during sporting activities including the NHL All-Star game.
Description of how branding is developed (or not): The name of her brand is The Athlete Popstar. She began as a dancer hence takes advantage of it. The appearance remains quite sporty- numerous jerseys, loose pants and sports environments. It is fast-moving and it makes her stand out of other pop stars who are either more glam or sad.
Analysis of how you will use this to develop your own social media presence: I observe that Tate is exploiting her hobby (dancing/sports) to differentiate her music brand. I would like to consider what I am unique in and present it on my Instagram. I appreciate the fact that she makes use of Reels to demonstrate her competencies, so I will add more video material to demonstrate my ability rather than merely beautiful photos.
Monday, March 2, 2026
Picking the Song
As a part of our research and planning process my partner and I began by listening to the album and making our choices about the song that would be most suitable in our final music video. These were the two songs which we thought about seriously Ode to the Industry (Cough Syrup) and I’ll Call You When I've Made It. To help us in making a decision, we reheard both songs a number of times and jotted the ideas and potential scenes that may suit the lyrics and the general feeling of both songs.
We talked it over and came to the decision of doing I’ll Call You When I’ve Made It. The key factor behind my selection of this song is that we could come up with a more coherent narrative and visual concepts behind it in comparison to the other choice. Although both songs were good, this one offered us more possibilities to create a story and develop various scenes, which can be compared to the moods of the lyrics. As you will see in the image below we braindumped on this document on ideas and nothing is really official but we had more ideas for this song.
Saturday, February 28, 2026
Research on Gracie Abrams
I learned the ways that pop music videos such as Mess It Up and Risk narrate their stories. The videos by Gracie Abrams have close and personal images and symbols that express her emotions. They can be modeled as good examples on how to narrate in pop music.
One of the scenes in Mess it up depicts the letters falling out of the fridge to form the word she is singing. This visual image displays the lyrics of the song and gives a meaning. The swaying letters are delicate and rigid and the feeling in the lyrics. The intimate shots in a modest background render the situation intimate and relatable. It demonstrates that it is possible to have a big story power in a video with the help of small objects.
Another memorable scene in the film Risk is where Gracie is lying on the floor and drinking wine. It demonstrates she is at the lowest point of her emotions, as the lyrics regarding heartbreak do. The video is lonely and sad due to a low camera angle and a low light. Her posture reveals that she is vulnerable. The setting of the video is not complicated to give attention to the viewers to her feelings. This is an ordinary manner in which she narrates stories.
In both videos, one can see how close settings, symbols, and gestures can be used to narrate a story in pop songs. The videos by Gracie are emotion-filled even though quiet. They apply images which back up the words and atmosphere of the song.
As the following examples demonstrate in the case of our project, we can indeed employ objects, places, and gestures to reinforce the story by Annie. Even without fancy effects and locations, simple visual stories may make a music video personal and relatable.
Thursday, February 26, 2026
Research on Taylor Swift
In this pop music video analysis, I examined the narration techniques in You Belong With Me and We Are Neverever Getting Back Together. Both videos employ the parts of the story and visual symbols to demonstrate emotions and relationships.
The mirror scene is significant in You Belong With Me. Taylor does not feel secure when she looks in the mirror when she is singing, which can be regarded as comparing herself to others. The visual transformation of the clothes she puts on in the mirror reveals that there is a change in the appearance, and she appears more glamorous than she did in her plain girl next door appearance. It reveals her inner conflict and brings out the idea of the song of wanting to be noticed and appreciated. The setting, the clothes, and intimate shots all assist her to demonstrate emotions without uttering a single word.
We Are Never Ever Getting Back Together has a scene where the two characters are not together, although there exists a visual wall between the two as they converse through the telephone. This device allows the audience to observe both individuals simultaneously, indicating that they are connected and separated. The distance between the characters is emphasized by the fact that miscommunication and emotional disconnection occur, and the framing allows the viewers to track the conversation without difficulties. The lighten sets and playfulness are contrasted to the tension in the lyrics, as it suits the self-confident and conclusive tone of the song and makes it fascinating to see.
The two videos demonstrate that relationship ideas can easily be shared with the help of story telling, props and visual tricks. Taylor Swift tends to overpower the narrative with symbols, such as mirrors, costume changes, or split-location framing to enhance her brand of relatable star image.
This study will be useful to our project because it demonstrates how we may express ourselves using symbolic imagery and camera tricks to narrate a story and express emotions in a pop music video.
TaylorSwiftVEVO. (2009, June 16). Taylor Swift – You Belong With Me (Official Music Video) [Video]. YouTube. https://www.youtube.com/watch?v=VuNIsY6JdUw
TaylorSwiftVEVO. (2012, August 31). Taylor Swift – We Are Never Ever Getting Back Together (Official Music Video) [Video]. YouTube. https://www.youtube.com/watch?v=WA4iX5D9Z64
Tuesday, February 24, 2026
Research on Olivia Rodrigo
In my pop music video studies, I analyzed the use of storytelling in videos by Olivia Rodrigo, specifically, deja vu and drivers license. The two videos present clear stories and symbols to provide the feelings of the songs.
Particularly relevant in deja vu is the scene in which she was running on the beach. Here she is actually running freely along the beach indicating a contrast to the jealousy in the lyrics. Her facial expressions and body language displays frustration and conflict, yet the beach is so open and expansive that it can be free. The usage of natural light and wide shots makes the scene appear like a movie and also makes it look personal and thought-provoking. The action of the motion in this scene demonstrates how the physical action may reflect the inner emotions- a significant narrative device in pop music videos.
Conversely, there is the emotional detailing in the use of lighting, where lighting is applied in the car, particularly the purple light in drivers license. The shade of purple is dreamy and nearly surreal. Purple tends to signify sorrows, feelings of desire and intensity, so it is appropriate to the theme of heartbreak in the song. The claustrophobic nature of the vehicle confines makes the scene seem intimate and isolated as well as demonstrating that she is alone with her mind. Close shots are shot on her face to make the viewers experience her suffering. The lethargy and minimal movement here are in contrast to the open beach scene in deja vu, which depicts two different forms of expressing emotion visually.
The two music videos incorporate story and performance, but it is subtle. The narration is not forced but rather natural and this makes her appear as a real and a real star. These videos demonstrate the fact that the lighting, the setting, camera movement and symbols can all contribute to the demonstration of emotion in pop music videos.
Our study will contribute to our project. We would like to employ straightforward light effects, dramatic gesture and symbolic background to make the pop song by Annie more touching.
OliviaRodrigoVEVO. (2021, January 8). Olivia Rodrigo – drivers license (Official Video) [Video]. YouTube. https://www.youtube.com/watch?v=ZmDBbnmKpqQ
OliviaRodrigoVEVO. (2021, April 1). Olivia Rodrigo – deja vu (Official Video) [Video]. YouTube. https://www.youtube.com/watch?v=ci7gQ0jZZ9M
Scheduling Shooting
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My production skills improved significantly during this project. Here are some key areas of development: Planning and Organization I improve...